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本次演出不对号入座

剧目介绍：

本剧以法国现代已故戏剧大师贝纳尔-马里 科尔泰斯（Bernard-Marie Koltès）的先锋文本《森林正前夜》为基底，在全球化语境下进行解构式重构。原作中流浪者的独白被移植为当代经济危机中的青年困境——跨国资本流动与地缘政治冲突的阴影下，主人公既是失业的"数字游民"，又是社交媒体时代的精神游荡者。改编版强化了"剧场即社会实验室"的特质：演员以神经质般的语言密度，混合电子音乐与工业噪音的声场压迫，将金融泡沫、技术异化、身份焦虑等议题熔铸成后现代生存困境的蒙太奇。质朴的舞台上演员与观者直面"我们皆是系统困兽"的残酷隐喻。这种"暴雨式"表达不仅继承了科尔泰斯"语言即暴力"的美学，更通过即兴互动环节的植入，让观众成为资本链条中的共谋者或反抗者，在集体宣泄中叩问：当森林尚未降临，我们是否已在文明的暗夜里丧失了重构人性的勇气？罗西南多不是交通工具.是理想是现实是疯狂是清醒….

This production is grounded in the avant-garde text Just Before the Fores by the late modern French theatrical master Bernard-Marie Koltès, undergoing a deconstructive reimagining within a globalized context. The original monologues of the wanderer are transposed onto the struggles of contemporary youth amid economic crisis-where the protagonist exists both as an unemployed "digitalnomad" and a spiritual drifter of the social media era, shadowed by transnational capital flows and geopolitical conflicts. The adaptation intensifies the notion of "theater as a social laboratory": actors deliver neurotically dense language, amplified by a soundscape blending electronic music and industrial noise, forging financial bubbles,technological alienation, and identity anxiety into a montage of postmodern existential dilemmas. On a stark stage, performers and spectators confront the brutal metaphor that "we are all beasts trapped within the system." This "torrential" expression not only inherits Koltès' aesthetic of "language as violence" but also, through embedded improvisational interactions,transforms the audience into either accomplices or rebels within the capitalist chain.

剧目宣传核心词：

用最质朴的方式，即演员，乐队，观众挖掘戏剧现场性的力量。剧目名称，正在吃草的罗西南多，也是借助堂吉诃德坐骑，进而对理想与现实，疯狂与清醒进行连接与思辨和对浪漫主义的唤醒。

导演介绍：

华山：音乐人、作曲、摄影师。曾完成过多次兼具传统、实验、创新的戏剧／音乐创作及现场表演。其音乐作品：《一个陌生女人的来信》、《你好，忧愁》、《九又二分之一爱情》、《死水边的美人鱼》、《臭虫》、《莎士比亚和狼》《红与黑》、《第七天》、《二十四小时》、《情诗》、《夜色温柔》、《古典爱情》。其摄影作品系列：《现场，非现场》，是在戏剧和音乐的艺术基础上，以音乐人独特的视听角度通过镜头将戏剧的精髓部分展示出来，这些意象如同冰裂的湖面，带着冷峻的诗意推出一场场戏剧的梦境。

虓汉：中国优秀青年演员，戏剧导演。2010年毕业于法国佛洛朗戏剧学院“精英班”。2020年进修北京电影学院专业制片人专业。

虓汉导演并不是唯一身份，演员、法语翻译、表演老师等重重身份的自由切换长期活跃于国内外戏剧舞台。曾参与法国阿维尼翁戏剧节、乌镇戏剧节、阿那亚戏剧节、北京国际青年戏剧节、杭州戏剧节，深圳双年展等的创作与演出

Huashan: Musician,composer,photographer.He has completed multiple theatrical/musical creations and live performances that combine tradition, experimentation, and innovation. His musical works include "Letter from a Stranger Woman","Mermaid by the Dead Water","Red and Black", "The Seventh Day"，"Classical Love" etc.

Xiao Han: An outstanding young actor and theater director from China. Graduated from the Classe libre of Cours Florent in France in 2010. In 2020, he pursued further studies in the Producer program at Beijing Film Academy.Has participated in the creation and performances of the Avignon Festival (France), Wuzhen Theatre Festival,Aranya Theatre Festival, and more.

导演一句话：

戏剧作为在场的形式，是人交流的最直接平台，也是它最可贵的特质之一，在现今，这种特质，有助于我们打破数字时代后，由于过度兴奋而建立的认知屏障，进而反思我们之前建立的理性范畴，从而辩证的认识我们的世界。

As a form of presence, drama serves as the most direct platform for people's emotional communication, and this is one of its most precious qualities. Nowadays, this quality helps us break down the cognitive barriers built due to excessive excitement in the digital age, further reflect on the rational categories we have established, and thus understand our world dialectically.

导演的话：

华山：我是一名音乐人，对我来说，感觉和现场感是最重要的。我的戏剧到底是做给谁看的？现在回头看，很明确：是给当下的人。年轻人的生活和我们以前不一样了，我们也在想，他们到底在想些什么。

虓汉：《森林正前夜》是我们这次创作的引子。原作写的是法国当年的社会矛盾，我们更在意的是原作主人公想要沟通的冲动——想和人交朋友，想贴近真实的人的那种愿望。那种戏剧最原始的核心，把人聚集起来共享某种体验。这一次，我们只是想质朴地找回这种现场感。

Hua Shan: I'm a musician. For me, feeling and the sense of being on the spot are the most important. Who on earth is my drama intended for? Looking back now, it's very clear: It's for the people of the present. The lives of young people are different from what we used to be. We are also wondering what exactly they are thinking.

Xiao Han: "The Night Before the Forest" is the prelude to our creation this time. The original work depicts the social contradictions in France at that time. What we care more about is the protagonist's urge to communicate - the desire to make friends and get close to real people. The most fundamental core of that kind of drama is to bring people together to share a certain experience. This time, we just want to simply regain this sense of presence.

三个剧目关键词

愤怒、孤独、暴雨式表达

演职人员名单：

剧团：EBVIRUS｜ 舞美设计EBVIRUS ｜作曲EBVIRUS 编剧：虓汉｜ 导演：华山、虓汉｜演员 孙雨澄 EB VIRUS｜乐队：王闯，宋扬，李伊博，华山

Tropical: EBVIRUS | Stage Design: EBVIRUS | Composed:EBVIRUS Writer: Xiao Han | Director: Hua Shan, Xiao Han | Actor: Sun Yucheng,EB VIRUS | Band: Wang Chuang, Song Yang, Li Yibo, Hua Shan

约70分钟，仅供参考，最终以现场实际时长为准

提前15分钟，仅供参考，最终以现场实际入场时间为准

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